Infinite jest - David Wallace

Up this close, Gately doesn’t even need his Staffer’s eerie seventh sense to sense that Lenz is clearly wired on either ‘drines or Bing. That Lenz has been visited by the Sergeant at Arms. Lenz’s right eyeball is wobbling around in its socket and his mouth writhing in that way and he has that Nietzschean supercharged aura of a wired individual, and all the time he’s throwing on slacks and topcoat and incognitoizing wig and getting almost pitched headfirst down the stairs by Gately he’s telling this insane breathless whopper about his finger once getting cut off and then spontaneously regentrifying itself back on, and his mouth is writhing in that fish-on-a-gaff way distinctive of a sustained L-Dopa surge, and Gately wants to pull an immediate urine, immediate, but meanwhile the cars’ herd’s edges are just starting to widen in that way that precedes distraction and dispersal, and they’re angry not at Lenz for straggling but at Gately for even bothering with him, and Lenz pantomimes the akido Serene But Deadly Crane stance at Ken Erdedy, and it’s 0004h. and Gately can see tow trucks aprowl way down on Comm. Ave., coming this way, and he jangles his keys and unlocks all three curfew-locks on the front door and gets everybody out in the scrotum-tightening November cold and out down the walk to the line of their cars in the little street and stands there on the porch watching in just orange shirtsleeves, making sure Lenz doesn’t bolt before he can pull a spot-urine and extract an admission and Discharge him officially, feeling a twinge of conscience at so looking forward to giving Lenz the administrative shoe, and Lenz jabbers nonstop to whoever’s closest all the way to his Duster, and everybody goes to their car, and the backwash around Gately from the open House door is hot and people in the living room provide loud feedback on the draft from the open door, the sky overhead immense and dimensional and the night so clear you can see stars hanging in a kind of lacteal goo, and out on the streetlet a couple car doors are squeaking and slamming and some people are conversing and delaying just to make Staff have to stand there in shirtsleeves on the cold porch, a small nightly sideways ball-busting rebellious gesture, when Gately’s eye falls on Doony R. Glynn’s specialty-disembowelled old dusty-black VW Bug parked with the other cars on the now-illicit street-side, its rear-mount engine’s guts on full glittered display under the little street’s lights, and Glynn’s upstairs in bed tonight legitimately prostrate with diverticulitis, which for insurance reasons means Gately has to go back in and ask some resident with a driver’s license to come move Glynn’s VW across the street, which is humiliating because it means admitting publicly to these specimens that he, Gately, doesn’t have a valid license, and the sudden heat of the living room confuses his goose-pimples, and nobody in the living room will admit to have a driver’s license, and it turns out the only licensed resident who’s still vertical and downstairs is Bruce Green, who’s in the kitchen expressionlessly stirring a huge amount of sugar into a cup of coffee with his bare blunt finger, and Gately finds himself having to ask for managerial assistance from a kid he likes and has just bitched out and extracted urine from, which Green minimizes the humiliation of the whole thing by volunteering to help the second he hears the words Glynn and fucking car, and goes to the living room closet to get out his cheap leather jacket and fingerless gloves, and but Gately now has to leave the residents outside still unsupervised for a second to go clomping upstairs and verify that it’s kosher with Glynn for Bruce Green to move his car.[251] The 2-Man seniorest males’ bedroom has a bunch of old AA bumper-stickers on it and a calligraphic poster saying EVERYTHING I’VE EVER LET GO OF HAS CLAW MARKS ON IT, and the answer to Gately’s knock is a moan, and Glynn’s little naked-lady bedside lamp he brought in with him is on, he’s in his rack curled on his side clutching his abdomen like a kicked man. McDade is illicitly sitting on Foss’s rack reading one of Foss’s motorcycle magazines and drinking Glynn’s Millennial Fizzy with stereo headphones on, and he hurriedly puts out his cigarette when Gately enters and closes the little drawer in the bedside table where Foss keeps his ashtray just like everybody else.[252] The street outside sounds like Daytona — a drug addict is like physically unable to start a car without gunning the engine. Gately looks quickly out the west window over Glynn’s rack to verify that all the unsupervised headlights going down the little street are Uing and coming back the right way to repark. Gately’s forehead is wet and he feels the start of a greasy headache, from managerial stress. Glynn’s crossed eyes are glassy and feverish and he’s softly singing the lyrics to a Choosy Mothers song to a tune that isn’t the song’s tune.

‘Doon,’ Gately whispers.

One of the cars is coming back down the street a little fast for Gately’s taste. Anything involving residents that happens on the grounds after curfew is his responsibility, the House Manager’s made clear.

‘Doon.’

It’s the bottom eye, grotesquely, that rolls up at Gately. ‘Don.’

‘Doon.’

‘Don Doon the witch is dead.’

‘Doon, I need to let Green move your car.’

‘Vehicle’s black, Don.’

‘Brucie Green needs your keys so’s we can switch your car over, brother, it’s midnight.’

‘My Black Bug. My baby. The Roachmobile. The Doonulater’s wheels. His mobility. His exposed baby. His slice of the American Pie. Simonize my baby when I’m gone, Don Doon.’

‘Keys, Doony.’

‘Take them. Take it. Want you to have it. One true friend. Brought me Ritz crackers and a Fizz. Treat it like a roachlady. Shiny, black, hard, mobile. Needs Premium and a weekly wax.’

‘Doon. You got to show me where’s the keys, brother.’

‘And the bowel. Gotta weekly shine the pipes in the bowel. Exposed to view. With a soft cloth. The mobile roach. The bowelmobile.’

The heat coming off Glynn is face-tightening.

‘You feel like you got a fever, Doon?’ At one point elements of Staff thought Glynn might be playing sick to get out of looking for a job after losing his menial job at Brighton Fence & Wire. All Gately knows about diverticulitis is that Pat said it’s intestinal and alcoholics can get it in recovery from impurities in bottom-shelf blends that the body’s trying to expel. Glynn’s had physical complaints all through his residency, but nothing like this here. His face is gray and waxy with pain and there’s a yellowish crust on his lips. Glynn’s got a real severe adtorsion, and the bottom eye is rolled up at Gately with a terrible delirious glitter, the top eye rolling around like a cow’s eye. Gately still cannot bring himself to feel another man’s forehead. He settles for punching Glynn very lightly on the shoulder.

‘You think we need to take you over to St. E.’s to get your intestine looked at, Doon, do you think?’

‘Hoits, Don.’

‘You think you —?’

Because he’s worrying about what if a resident comas or dies on his shift, and then feeling shame that this is his worry, the squeal of brakes and raised voices’ noises down out front hasn’t registered on Gately right away, but Hester Thrale’s unmistakable high-B# scream does — i.e. register — and now serious feet running up the stairs:

Green’s face in the doorway, red in round patches high on his cheeks: ‘Come out.’

‘The fuck’s the problem out —’

Green: ‘Come now Gately.’

Glynn sotto: ‘Mother.’

Gately doesn’t get to even ask Green what the fuck again on the stairs because Green is down ahead out the door so fast; the damn front door’s been open all this time. A watercolor of a retrieverish dog cants and then falls from the wall on the staircase from the vibrations of Gately taking two stairs down at a time. He doesn’t take time to grab his coat off Pat’s couch. All he’s got on is a donated orange bowling shirt with the name Moose cursive-stitched on the breast and SHUCO-MIST M.P.S. in ghastly aqua blocks across the back,[253] and he feels every follicle on his body hump up again as the cold encases him on the front porch and the wheelchair-ramp down to the little walkway. The night is cold and glycerine-clear and quite still. Very distant sounds of car horns and raised voices down on Comm. Green’s receding at a run off up the little streetlet into a glare of highbeams that diffracts in the clouds of Gately’s breath, so even as Gately walks briskly[254] in Green’s leather-smelling backwash toward a rising hubbub of curses and Lenz’s high-speed voice and Thrale’s glass-shattering cries and Henderson and Willis talking shit angrily to somebody and the sound of Joelle v.D.’s veiled head in an upstairs window that isn’t the 5-Women room’s shouting something down to Gately as he appears in the street, even as he closes in it takes a while for the scene to decoct out of the fog of his breath and its shifting spears of color against the headlights. He passes Glynn’s disembowelled and illegally parked Bug. Several of the residents’ cars are idling at haphazard angles of mid-U-turn in the middle of the street, and in front of them is a modified dark Montego with highbeams and jacked rear wheels and a turbo’s carnivorous idle. Two almost Gately-sized bearded guys in loose like bowling-wear shirts with flowers or suns on them and what look like big faggy necklaces of flowers around what would be their necks if they had necks turn out to be chasing Randy Lenz around this Montego car. Yet another guy with a necklace and a plaid Donegal is holding the rest of the residents at bay on the lawn of #4 with a nasty-looking Item[255] expertly held. Everything now slightly slows down; at the sight of an Item held on his residents there’s almost a kind of mechanistic click as Gately’s mind shifts into a different kind of drive. He gets very cool and clear and his headache recedes and his breathing slows. It’s not so much that things slow as break into frames.

The ruckus has aroused the old nurse in #4 who Asks For Help, and her spectral figure is splayed in a nightie against an upstairs #4 window yelling ‘Eeeeeeeyelp!’ Hester Thrale now has her pink-nailed hands over her eyes and is screaming over and over for nobody to hurt nobody especially her. It’s the Bulldog Item that holds the attention. The two guys chasing Lenz around the Montego are unarmed but look coldly determined in a way Gately recognizes. They’re not wearing coats either but they don’t look cold. All this appraisal’s taking only seconds; it only takes time to list it. They have vaguely non-U.S. beards and are each about 4/s Gately’s size. They take turns coming around the car and running past the headlights’ glare and Gately can see they have similar froggy lippy pale foreign faces. Lenz is talking at the guys nonstop, mostly imprecating. They’re all three going around and around the car like a cartoon. Gately’s still walking up as he sees all this. It’s obvious to appraisal the foreignish guys aren’t real bright because of they’re chasing Lenz in tandem instead of heading around the car in opposite directions to trap him in like a pincer. They all three stop and start, Lenz across the car from them. Some of the at-bay residents are yelling to Lenz. Like most coke-dealers Lenz is quick on his feet, his topcoat billowing and then settling whenever he stops. Lenz’s voice is nonstop — he’s alternately inviting the guy to perform impossible acts and advancing baroque arguments for how whatever they think he did there’s no way he was even in the same area code as whatever happened that they think he did. The guys keep speeding up like they want to catch Lenz just to shut him up. Ken Erdedy has his hands up and his car keys in his hand; his legs look like he’s about to wet himself. Clenette and the new black girl, clearly veterans at gunpoint-etiquette, are prone on the lawn with their fingers laced behind their heads. Nell Gunther’s assumed Lenz’s old martial-arts Crane stance, hands twisted into flat claws, eyeing the guy’s.44, which pans coolly back and forth over the residents. This smaller guy gets the most frames the slowest. He’s got on a plaid hunting cap that keeps Gately from seeing if he’s foreign also. But the guy’s holding the weapon in the classic Weaver stance of somebody that can really shoot — left foot slightly forward, slightly hunched, a two-handed grip with the right arm cocked elbow-out so the Item’s held high up in front of the guy’s face, up to his sighting eye. This is how policemen and Made Guys from the North End shoot. Gately knows weapons way better than sobriety, still. And the Item — if the guy trig-pulls on some resident that resident’s going down — the Item’s some customized version of a U.S. 44 Bulldog Special, or maybe a Nuck or Brazilian clone, blunt and ugly and with a bore like the mouth of a cave. The stout alcoholic kid Tingley has both hands to his cheeks and is 100 % at bay. The piece’s been modified, Gately can appraise. The barrel’s been vented out near the muzzle to cut your Bulldog’s infamous recoil, the hammer’s bobbed, and the thing’s got a fat Mag Na Port or — clone grip like the metro Finest favor. This is not a weekend-warrior or liquor-store-holdup type Item; it’s one that’s made real specifically for putting projectiles into people. It’s not a semiauto but is throated for a fucking speed-loader, which Gately can’t see if the guy’s got a speed-loader under the loose floral shirt but needs to assume the guy’s got near-unlimited shots with a speed-loader. The North Shore Finest on the other hand wrap their grips in this like colored gauze that wicks sweat. Gately tries to recall a past associate’s insufferable ammo-lectures when under the influence — your Bulldog and clones can take anything from light target loads and wadcutter to Colt SofTip dum-dums and worse. He’s pretty sure this thing could put him down with one round; he’s not sure. Gately’s never been shot but he’s seen guys shot. He feels something that is neither fear nor excitement. Joelle van D. is shouting stuff you can’t make out, and Erdedy at bay on the lawn’s calling out to her to get her head out of the whole picture. Gately’s been bearing down this whole brief time, both seeing his breath and hearing it, beating his arms across his chest to keep some feeling in his hands. You could almost call what he feels a kind of jolly calm. The unAmerican guys chase Lenz and then stop across the car facing him for a second and then get furious again and chase him. Gately guesses he ought to be grateful the third guy doesn’t come over and just shoot him. Lenz puts both hands on whatever part of the car he stops at and sends language out across the car at the two guys. Lenz’s white wig is askew and he’s got no mustache, you can see. E.M. Security, normally so scrupulous with their fucking trucks at 0005h., is nowhere around, lending weight to yet another cliche. If you asked Gately what he was feeling right this second he’d have no idea. He’s got a hand up shading his eyes and closes on the Montego as things further clarify. One of the guys now you can see has Lenz’s disguise’s mustache in two fingers and keeps holding it up and brandishing it at Lenz. The other guy issues stilted but colorful threats in a Canadian accent, so it emerges on Gately it’s Nucks, the trio Lenz has managed to somehow enrage is Nucks. Gately cops a black surge of Remember-Whenning, the babbling little football-head Québecer he’d killed by gagging a man with a bad cold. This line of thinking is intolerable. Joelle’s overhead shout to for Christ’s sake somebody call Pat mixes in and out of the Help lady’s cries. It occurs to Gately that the Help lady has cried Wolf for so many years that real shouts for real help are all going to be ignored. The residents all look to Gately as he crosses the street directly into the Montego’s wash of light. Hester Thrale screams out Look out there’s a Item. The plaid-hat Nuck pans stiffly to sight at Gately, his elbow up around his ear. It occurs to Gately if you fire with an Item right up to your sighting-eye like that won’t you get a face full of cordite. There’s a break in the circular action around the throbbing car as Lenz shouts Don with great gusto just as the Help lady shouts for Help. The Nuck with the Item has backed up several steps to keep the residents in his peripheral vision while he sights square on Gately as the massive Nuck holding the mustache across the car tells Gately if he was him he’d return to whence he came, him, to avoid the trouble. Gately nods and beams. Nucks really do pronounce the with a z. Both the car and Lenz are between Gately and the large Nucks, Lenz’s back to Gately. Gately stands quietly, wishing he felt different about potential trouble, less almost jolly. Late in Gately’s Substance and burglary careers, when he’d felt so low about himself, he’d had sick little fantasies of saving somebody from harm, some innocent party, and getting killed in the process and getting eulogized at great length in bold-faced Globe print. Now Lenz breaks away from the hood of the car and dashes Gately’s way and around behind him to stand behind him, spreading his arms wide to put a hand on each of Gately’s shoulders, using Don Gately like a shield. Gately’s stance has the kind of weary resolution of like You’ll Have to Go Through Me. The only anxious part of him can see the Log entry he’ll have to make if residents come to physical grief on his shift. For a moment he can almost smell the smells of the penitentiary, armpits and Pomade and sour food and cribbage-board-wood and reefer and mopwater, the rich piss stink of a zoo’s lion house, the smell of the bars you lace your hands through and stand there, looking out. This line of thinking is intolerable. He’s neither goosepimpled nor sweating. His senses haven’t been this keen in over a year. The stars in their jelly and dirty sodium lamplight and stark white steer-horns of headlights splayed at residents’ different angles. Star-chocked sky, his breath, faraway horns, low trill of ATHSCMEs way to the north. Thin keen cold air in his wide-open nose. Motionless heads at #5’s windows.