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Case Study of the Puppet Text ‘Petrushka’ // Sexuality and the Body in Russian Culture. 1993. P. 77–79.

Koehler 1979 – Koehler L. N. F. Fedorov: The Philosophy of Action. Pittsburgh: Institute for the Human Sciences, 1979.

Ledkovsky et al. 1994 – Shkapskaia, Mariia Mikhailovna // Dictionary of Russian Women Writers / ed. Marina Ledkovsky, Charlotte Rosenthal, and Mary Zirin. Westport, Conn.: Greenwood Press, 1994. P. 591–593.

Lukashevich 1977 – Lukashevich S. N. F. Fedorov (1828–1903): A Study in Russian Eupsychian and Utopian Thought. Newark: University of Delaware Press, 1977.

Maguire 1990 – Maguire R. A. Gogol and the Legacy of Pseudo-Dionysius // Russianness: Studies on a Nation: Identity: In Honor of Rufus Mathewson, 1918–1978 / ed. Robert L. Belknap. Ann Arbor: Ardis, 1990. P. 44–55.

Maguire 1994 – Maguire R. A. Exploring Gogol. Stanford: Stanford University Press, 1994.

de Mallac 1981 – de Mallac G. Boris Pasternak: His Life and Art. Norman: University of Oklahoma Press, 1981.

Malmstad 1996 – Malmstad J. The Sacred Profaned: Image and Word in the Paintings of Mikhail Larionov // Laboratory of Dreams: The Russian Avant-Garde and Cultural Experiment / ed. John Bowlt and Olga Matich. Stanford: Stanford University Press, 1996. P. 153–173.

Mandelshtam N. 1970 – Mandel’shtam Nadezhda. Hope against Hope / trans. Max Hayward. New York: Atheneum, 1970

Masing-Delic

Masing-Delic 1974 – Masing-Delic I. Some Themes and Motifs in N. Zabolockij’s Stolbcy // Scando-Slavica. Vol. 20. 1974. P. 13–25.

Masing-Delic 1977 – Masing-Delic I. Zabolockij’s Occult Poem ‘Carica much // Svantevit, Dansk Tideskriftfor Slavistik, Argang III. № 1. Copenhagen, 1977. P. 21–38.

Masing-Delic 1983 – Masing-Delic I. Zabolotsky’s The Triumph of Agriculture: Satire or Utopia? // Russian Review. Vol. 42. 1983. P. 360–376.

Masing-Delic 1987 – Masing-Delic I. The Chickens Also Want to Live’: A Motif in Zabolockij’s Columns // Slavic and East European Journal. Vol. 31. № 3. 1987. P. 356–369.

Masing-Delic 1992 – Masing-Delic I. Abolishing Death: A Salvation Myth of Russian Twentieth-Century Literature. Stanford: Stanford University Press, 1992.

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Martz

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Milner-Gulland

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Milner-Gulland 1976 – Milner-Gulland R. Grandsons of Kozma Prutkov: Refel ctions on Zabolotsky, Oleynikov, and Their Circle // Russian and Slavic Literature / ed. Richard Freeborn. Cambridge, Mass.: Slavica, 1976.

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Milner-Gulland 1991 – Milner-Gulland R. Beyond the Turning Point // Daniil Kharms and the Poetics of the Absurd: Essays and Materials / ed. Neil Cornwell. New York: St. Martin’s Press, 1991. P. 243–267.

Milner-Gulland 1994 – Milner-Gulland R. Introduction // Nikita Zabolotsky. The Life of Zabolotsky / ed. R. R. Milner-Gulland, trans. R. R. Milner-Gulland and C. G. Bearne. Cardiff: University of Wales Press, 1994.

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Misler, Bowlt 1984 – Pavel Filonov: A Hero and His Fate / trans. and ed. Nicoletta Misler and John E. Bowlt. Austin, Tex.: Silvergirl, Inc., 1984.

Misler, Bowlt 1992 – Misler N., and J. E. Bowlt. Pavel Filonov and the Flowering of the World // Pavel Filonov in the 1920s: The Physiology of Painting / ed. Nicoletta Misler and John E. Bowlt. Exhibition catalog, Galerie Gmurzynska. Cologne, 1992. P. 14–126.

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Nakhimovsky 1982 – Nakhimovsky A. S. Laughter in the Void: An Introduction to the Writings of Daniil Kharms and Alexander Vvedenskii. Vienna: Wiener slawistischer Almanach, 1982.

Naydan 1989 – Naydan M. M. Intimations of Biblical Myth and the Creative Process in Jurij Olesa’s ‘Visnevaja kostocka’ // Slavic and East European Journal. Vol. 33. № 3. 1989. P. 373–385.

Neuhiiuser 1975 – Neuhiiuser R. The Romantic Age in Russian Literature: Poetic and Aesthetic Norms: An Anthology of Original Texts (1800–1850). Munich: Verlag Otto Sagner, 1975.

Pahomov 1993 – Pahomov G. Cexov’s ‘The Grasshopper’: A Secular Saint’s Life // Slavic and East European Journal. Vol. 37. № 1. Spring 1993. P. 33–45.

Panofsky 1991 – Panofsky E. Perspective

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Сергій 25.01.2024 - 17:17
"Убийство миссис Спэнлоу" от Агаты Кристи – это великолепный детектив, который завораживает с первой страницы и держит в напряжении до последнего момента. Кристи, как всегда, мастерски строит