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Whisper of the Precursor // Jones Malcolm V. Dostoevsky after Bakhtin: Readings in Dostoevsky’s Fantastic Realism. Cambridge: Cambridge University Press, 1990. P. 149–163.

Jones 2005 – Jones M. V. Dostoevsky and the Dynamics of Religious Experience. London: Anthem Press, 2005.

Jones 2002 – Jones M. V. Dostoevsky and Religion // The Cambridge Companion to Dostoevksii / Ed. W. J. Leatherbarrow. Cambridge: Cambridge University Press, 2002. P. 148–175.

Kaye 1999 – Kaye P. Dostoevsky and English Modernism, 1900–1930. Cambridge: Cambridge University Press, 1999.

Kermode 1979 – Kermode F. The Genesis of Secrecy: On the Interpretation of Narrative. Cambridge; London: Harvard University Press, 1979.

Kiely 1972 – Kiely R. The Romantic Novel in England. Cambridge: Harvard University Press, 1972.

Klioutchkine 2002 – Klioutchkine K. The Rise of "Crime and Punishment” from the Air of the Media // Slavic Review. 2002. Vol. 61. № 1. Spring. P. 88–108.

Knapp 1987 – Knapp L. The Fourth Dimension of the Non-Euclidean Mind: Time in The Brothers Karamazov, or Why Ivan Karamazov’s Devil Does Not Carry a Watch H Dostoevsky Studies. 1987. № 8. P. 105–120.

Knapp 1996 – Knapp L. The Annihilation of Inertia: Dostoevsky and Metaphysics. Evanston: Northwestern University Press, 1996.

Knapp, Mandelker 2003 – Approaches to teaching Tolstoy’s Anna Karenina / Ed. by L. Knapp and A. Mandelker. New York: The Modern Language Association of America, 2003.

Kostalevsky 1997 – Kostalevsky M. Dostoevsky and Soloviev: The Art of Integral Vision. New Haven; London: Yale University Press, 1997.

Lanham 1969 – Lanham R. A Handlist of Rhetorical Terms. Berkeley; Los Angeles: University of California Press, 1969.

Laqueur 2003 – Laqueur T. W. Solitary Sex: A Cultural History of Masturbation. New York: Zone Books, 2003.

Lawrence 1965 – Lawrence D. H. On Dostoevsky and Rozanov [1936] // Russian Literature and Modern English Fiction / Ed. D. Davie. Chicago: University of Chicago Press, 1965. P. 99–100.

Lodge 1996 – Lodge D. The Practice of Writing. New York: Penguin Books, 1996.

Lowe 1988 – Dostoevsky Letters, 1832–1859 / Ed. and trans. D. Lowe. Ann Arbor: Ardis, 1988.

Mack 1965 – Mack M. King Lear in Our Time. Berkeley: University of California Press, 1965.

MacPike 1981 – MacPike L. Dostoevsky’s Dickens: A Study of Literary Influence. London: Prior, 1981.

Man 1977 – Man P. de. The Purloined Ribbon // 1977. Glyph. 1. № 1. P. 28–50.

Man 1979 – Man P. de. Allegories of Reading: Figural Language in Rousseau, Nietzsche, Rilke, and Proust. New Haven: Yale University Press, 1979.

Manuel, Manuel 1979 – Manuel Frank E., Manuel Fritzie P. Utopian Thought in the Western World. Cambridge: Harvard University Press, 1979.

Martinsen 2001 – Martinsen D. A. Shame and Punishment // Dostoevsky Studies (New Series). 2001. № 5. P. 51–70.

Martinsen 2003a – Martinsen D. A. Surprised by Shame: Dostoevsky’s Liars and Narrative Exposure. Columbus: Ohio State University Press, 2003.

Martinsen 20036 – Martinsen D. A. Introduction // Dostoevsky F. Notes from Underground, The Double, and Other Stories. New York: Barnes and Noble Books, 2003. P. i-xvii.

Mazur 2003 – Mazur B. Imagining Numbers. New York: Farrar, Straus and Giroux, 2003.

Meerson 1998 – Meerson O. Dostoevsky’s Taboos. Dresden: Dresden University Press, 1998.

Meyer 1998 – Meyer P. Crime and Punishment: Dostoevsky’s Modern Gospel II Dostoevsky Studies (New Series). 1998. 2. № 1. P. 66–79.

Miller 1979 – Miller R. F. Rousseau and Dostoevsky: The Morality of Confession Reconsidered 11 Western Philosophical Systems in Russian Literature / Ed. A. M. Mlikotin. Los Angeles: University of Southern California Press, 1979. P. 89–101. (Reprinted in: Dostoevsky: New Perspectives I Ed. Robert Louis Jackson. Englewood Cliffs: Prentice Hall, 1984. P. 82–98.

Miller 1981 – Miller R. F. Dostoevsky and The Idiot: Author, Narrator and Reader. Cambridge: Harvard University Press, 1981.

Miller 1983 – Miller R. F. Dostoevsky and the Tale of Terror // The Russian Novel from Pushkin to Pasternak / Ed. J. G. Garrard. New Haven: Yale University Press, 1983. P. 103–125.

Miller 1984 – Miller R. F. Imitations of Rousseau in “The Possessed” // Dostoevsky Studies. 1984. 5. P. 77–89.

Miller 1986 – Miller R. F. Introduction 11 Critical Essays on Dostoevsky I Coll. by. R. F. Miller. New York: G. K. Hall, 1986.

Miller 2005 – Miller R. E What Is Chekhovian about Chekhov? 11 Word, Music, History, in 2 vols. I Ed. L.Fleishman, G. Safran, Michael Wachtel. Stanford: Garth Perkins, 2005. P. 489–504 (Stanford Slavic Studies. Vol. 29).

Miller 2008 – Miller R. F. The Brothers Karamazov: Worlds of the Novel. New Haven; London: Yale University Press, 2008.

Milosz 1977 – Milosz Cz. Dostoevsky and Swedenborg // Milosz Cz. The Emperor of the Earth: Modes of Eccentric Vision. Berkeley: University of California Press, 1977. P. 120–144.

Morson 1981 – Morson G. S. The Boundaries of Genre: Dostoevsky’s Diary of a Writer and the Traditions of Literary Utopia. Austin: University of Texas Press, 1981.

Morson 1994 – Morson G. S. Narrative and Freedom: The Shadows of Time. New Haven: Yale University Press, 1994.

Morson 1999 – Morson G. S. Paradoxical Dostoevsky // SEEJ. 1999. Vol. 43. № 3. P. 471–492.

Morson 2002 – Morson G. S. Teaching as Impersonation // Literary Imagination. 2002. Vol. 4. № 4. Spring. P. 145–151.

Morson 2004 – Morson G. S. The God of Onions: The Brothers Karamazov and the Mythic Prosaic // A New Word on The Brothers Karamazov I Ed. R. L. Jackson, with an introd, essay by R. E Miller and a conclud.by William Mills Todd III. Evanston: Northwestern University Press, 2004. P. 107–125.

Nabokov 1965 – Nabokov V. V. Gogol: His Life and Works / Trans. R. Kramer. New York: New York University Press, 1965.

Nabokov 1981 – Nabokov V. N. Lectures on Russian Literature / Ed. F. Bowers. New York: Harcourt Brace Jovanovich, 1981.

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Oeler 2002 – Oeler K. The Dead Wives in the Dead House: Narrative Inconsistency and Genre Confusion in Dostoevskii’s Autobiographical Prison Novel // 2002. Slavic Review. Vol. 63. № 3. Fall. P. 519–534.

Otto 1958 – Otto R. The Idea of the Holy: The Nonrational Factor in the Idea of the Divine and

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