Модернисты и бунтари. Бэкон, Фрейд, Хокни и Лондонская школа - Мартин Гейфорд
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100
Richardson J. Bacon Agonistes // New York Review of Books. 17 December 2009.
101
Ibid.
102
Цит. по: Peppiatt M. Francis Bacon in your Blood. P. 74.
103
Цит. по: Peppiatt M. Francis Bacon in the 1950s. P. 64.
104
Ibid.
105
Ibid.
106
Цит. по: Peppiatt M. Francis Bacon: Anatomy of an Enigma. London, 1996. P. 193.
107
Luke M. David Tennant and the Gargoyle Years. London, 1991. P. 183.
108
Smee S., Bernard В., Dawson D. Freud at Work. P. 16.
109
Wishart M. High Diver. London, 1977. P. 36.
110
Freud L. Some thoughts on painting / Encounter. 3–1 (July 1954). P. 23–24.
111
Ibid. P. 26.
112
Gayford M. The Duke, the photographer, his wife, and the male stripper // Modern Painters. 6–3 (Autumn 1993). P. 24.
113
Цит. по: Russell J. Introduction // Lucian Freud / Exhibition Catalogue. London, Arts Council, 1974. P. 13.
114
Gowing L. Lucian Freud. P. 56.
115
Цит. по: Russell J. Introduction // Lucian Freud / Exhibition Catalogue. London, Arts Council, 1974. P. 27.
116
См.: Berthoud R. Graham Sutherland: A Biography. London, 1982. P. 183–200.
117
Ibid. P. 189.
118
Цит. по: Farson D. Sacred Monsters. London, 1988. P. 182. Из этого свидетельства следует, что дело было в 1960-х годах.
119
См.: Smee S., Bernard В., Dawson D. Freud at Work. P. 22–23.
120
Цит. по: Feaver W. Lucian Freud / Exhibition Catalogue. London, Tate Gallery, 2002. P. 27.
121
Ibid. P. 28.
122
Воспоминания художника об этом см.: Smee S., Bernard В., Dawson D. Freud at Work. P. 22–23.
123
Lessore H. A Partial Testament: Essays on Some Moderns in the Great Tradition. London, 1986. P. 55.
124
Higgins C. Leon Kossoff's love affair with London. Guardian. 27 April 2013.
125
Bowen E. The Demon Lover and Other Stories. London, 1945. P. 173.
126
Цит. по: Hughes R. Frank Auerbach. London, 1990. P. 133.
127
Ibid. P. 29.
128
Цит. по: McKennaK. Painting's quiet man: Leon Kossoff.
129
Ibid.
130
См.: Moorhouse P. Leon Kossoff / Exhibition Catalogue. London, Tate Gallery, 1996. P. 10.
131
Цит. по: Wilcox T. (ed.). The Pursuit of the Real: British Figurative Painting from Sickert to Bacon / Exhibition Catalogue. Manchester City Art Gallery, 1990. P. 33.
132
См.: Kendall R. Drawn to Painting: Leon Kossoff's Drawings and Paintings After Nicholas Poussin. London, 2000. P. 12.
133
Цит. по: www.benuricollection.org.uk/search_result.php?item_id=98
134
Ibid.
135
Ibid.
136
Ibid.
137
См.: Hyman J. The Battle for Realism: Figurative Art in Britain during the Cold War. 1945–1960. New Haven & London, 2001. P. 142–145.
138
Seedo N. M. In the Beginning was Fear. London, 1964. P. 336.
139
Ibid.
140
Неведомый шедевр (франц.). – Примечание переводчика.
141
Цит. по: Hughes R. Frank Auerbach. P. 33.
142
См.: Lampert C. Frank Auerbach: Speaking and Painting. London, 2015. P. 38.
143
Цит. по: Ibid.
144
Ibid.
145
Ibid.
146
См.: Lampert C. Frank Auerbach: Speaking and Painting. London, 2015. P. 50.
147
Цит. по: Hughes R. Frank Auerbach. P. 134.
148
Craig-Martin M. Richard Hamilton in Conversation with Michael Craig-Martin // Richard Hamilton / H. Foster, A. Bacon, eds. Cambridge, Mass., 2010. P. 3.
149
Hennessy P. Having it So Good: Britain in the Fifties. London, 2006. P. 106.
150
Jarman D. The Last of England / David L. Hirst, ed.. London, 1987. P. 46.
151
Цит. по: Hennessy P. Having it So Good. P. 19.
152
Craig-Martin M. Richard Hamilton in Conversation with Michael Craig-Martin. P. 7.
153
См.: Massey A. The Independent Group. P. 33–53.
154
Цит. по: Massey A. The Independent Group. P. 49.
155
Ibid. P. 50.
156
См.: Ibid. P. 19–31.
157
Ibid. P. 73.
158
Greenberg C. Art and Culture: Critical Essays. Boston, 1961. P. 3–21. Рус. пер.: Гринберг К. Авангард и китч [1939] / пер. А. Калинина // Художественный журнал. 2005. № 60. С. 49–58.
159
Greenberg С. Art and Culture. P. 9 (пер. О. Гавриковой).
160
Alloway L. The Arts and the Mass Media // Architectural Design. February 1958.
161
См. интервью с сыном Макхейла: www.warholstars.org/articles/johnmchale/johnmchale.html
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