Герои, творцы и хранители японской старины - А Мещеряков
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59. Уда, 887-897
Кампё 889
60. Дайго, 897-930
Сётай 898
Энги 901
Энтё 923
61. Судзаку, 930-946
Дзёхэй 931
Тэнгё 938
62. Мураками, 946-967
Тэнряку 947
Тэнтоку 957
Ова 961
Кохо 964
63. Рэйдзэй, 967-969
Анна 968
64. Энъю, 969-984
Тэнроку 970
Тэнъэн 973
Дзёгэн 976
Тэнгэн 978
Эйкан 983
65. Кадзан, 984-986
Канна 985
66. Итидзё, 986-1011
Эйэн 987
Эйсо 989
Сёряку 990
Тётоку 995
Тёхо 999
Канко 1004
67. Сандзё, 1011-1016
Тёва 1012
68. Гоитидзё, 1016-1036
Каннин 1017
Дзиан 1021
Мандзю 1024
Тёгэн 1028
69. Госудзаку, 1036-1045
Тёряку 1037
Тёкю 1040
Кантону 1044
70. Горэйдзэй, 1045-1068
Эйдзё 1046
Тэнги 1053
Кохэй 1058
Дзиряку 1065
71. Госандзё, 1068-1072
Энкю 1069
72. Сиракава, 1072-1086
Дзёхо 1074
Дзёряку 1077
Эйхо 1081
Отоку 1084
SUMMARY
The book, Heroes, Creators and Custodians oj Japanese Antiquity, is a series of biographies of the 4th-llth centuries' outstanding Japanese personalities.
Each historical period is represented by persons whose life and work reflect the most typical features of its culture and the psychological changes in personality. Much emphasis is on cultural continuity and mechanisms involved therein.
The chapters of the book are dedicated to an epic hero (Ya-mato Takeru: the Hero-Like Reality of the Character), statesmen (Prince Shotoku: A Statesman Devoted to Buddha, Sugawara Michizane: A Deification Tragedy), poets (Man'yoshu Poets: Poems for Society and a Society for Poems, Ki-no Tsurayuki: A Poet or A Poetaster?), Buddhist monks (Dokyo: The War and Peace of Two Theocracies, Kukai: Superb Calligraphy for Esoteric Policy), Buddhist legend makers and heroes of Buddhist legends (Buddhist Preachers: Wonder Makers), the author of the famous Tale of Genji (Murasaki-shikibu: a Non-Wasted Gift).
Each of the characters in the book made a notable contribution to culture of his country. Culture is understood as a dynamic interaction of soeio-historical and personal factors.
The author shows the turns, often dramatic, in the destinies of his heroes and eventually recreates the psychological background of a respective epoch.
The book analyses the ideas of time and space, life and death, ethic and aesthetic, virtue and sin, oi the human ideal, etc., and details the breakdown of the sanguinal kinship and the evolvement of medieval personality.
The book draws on medieval sources (historical, poetic, prose writings and religious texts). Therefore, one of the major topics of the book is the problem of text (the methods for its generation, functioning and perception). The book maps out approaches to the analysis of Japanese literature as a complex of semantically different texts united by common typological features.
