Infinite jest - David Wallace

Probably the most poignant items in Ewell’s survey are the much-faded tattoos of old Boston AA guys who’ve been sober in the Fellowship for decades, the crocodilic elder statesmen of the White Flag and Allston Groups and the St. Columbkill Sunday Night Group and Ewell’s chosen Home Group, Wednesday night’s Better Late Than Never Group (Nonsmoking) at St. Elizabeth’s Hospital just two blocks down from the House. There is something queerly poignant about a deeply faded tattoo, a poignancy something along the lines of coming upon the tiny and poignantly unfashionable clothes of a child long-since grown up in an attic trunk somewhere (the clothes, not the grown child, Ewell confirmed for G. Day). See, e.g., White Flag’s cantankerous old Francis (‘Ferocious Francis’) Gehaney’s right forearm’s tatt of a martini glass with a naked lady sitting in the glass with her legs kicking up over the broad flaring rim, with an old-style Rita Hayworth-era bangs-intensive hairstyle. Faded to a kind of underwater blue, its incidental black lines gone soot-green and the red of the lips/nails/ SUBIKBAY’62USN4-07 not lightened to pink but more like decayed to the dusty red of fire through much smoke. All these old sober Boston blue-collar men’s irrevocable tattoos fading almost observably under the low-budget fluorescence of church basements and hospital auditoria — Ewell watched and charted and cross-referenced them, moved. Any number of good old U.S.N. anchors, and in Irish Boston sooty green shamrocks, and several little frozen tableaux of little khaki figures in G.I. helmets plunging bayonets into the stomachs of hideous urine-yellow bucktoothed Oriental caricatures, and screaming eagles with their claws faded blunt, and SEMPER FI, all autolyzed to the point where the tattoos look like they’re just under the surface of a murky-type pond.

A tall silent hard-looking old black-haired BLTN-Group veteran has the terse and hateful single word PUSSY in what’s faded to pond-scum green down one liver-spotted forearm; but yet the fellow transcends even stoic regret by dressing and carrying himself as if the word simply wasn’t there, or was so irrevocably there there was no point even thinking about it: there’s a deep and tremendously compelling dignity about the old man’s demeanor w/r/t the PUSSY on his arm, and Ewell actually considers approaching this fellow re the issue of sponsorship, if and when he feels it’s appropriate to get an AA sponsor, if he decides it’s germane in his case.

Near the conclusion of this two-month obsession, Tiny Ewell approaches Don Gately on the subject of whether the jailhouse tattoo should maybe comprise a whole separate phylum of tattoo. Ewell’s personal feeling is that jailhouse tattoos aren’t poignant so much as grotesque, that they seem like they weren’t a matter of impulsive decoration or self-presentation so much as simple self-mutilation arising out of boredom and general disregard for one’s own body and the aesthetics of decoration. Don Gately’s developed the habit of staring coolly at Ewell until the little attorney shuts up, though this is partly to disguise the fact that Gately usually can’t follow what Ewell’s saying and is unsure whether this is because he’s not smart or educated enough to understand Ewell or because Ewell is simply out of his fucking mind.

Don Gately tells Ewell how your basic-type jailhouse tatt is homemade with sewing needles from the jailhouse canteen and some blue ink from the cartridge of a fountain pen promoted from the breast pocket of an unalert Public Defender, is why the jailhouse genre is always the same night-sky blue. The needle is dipped in the ink and jabbed as deep into the tattooee as it can be jabbed without making him recoil and fucking up your aim. Just a plain ultraminimal blue square like Gately’s got on his right wrist takes half a day and hundreds of individual jabs. How come the lines are never quite straight and the color’s never quite all the way solid is it’s impossible to get all the individualized punctures down to the same uniform deepness in the, like, twitching flesh. This is why jailhouse tatts always look like they were done by sadistic children on rainy afternoons. Gately has a blue square on his right wrist and a sloppy cross on the inside of his mammoth left forearm. He’d done the square himself, and a cellmate had done the cross in return for Gately doing a cross on the cellmate. Oral narcotics render the process both less painful and less tedious. The sewing needle is sterilized in grain alcohol, which Gately explains that the alcohol is got by taking mess-hall fruit and mashing it up and adding water and secreting the whole mess in a Ziploc just inside the flush-hole thing of the cell’s toilet, to, like, foment. The sterilizing results of this can be consumed, as well. Bonded liquor and cocaine are the only things hard to get inside of M.D.C. penal institutions, because the expense of them gets everybody all excited and it’s only a matter of time before somebody goes and eats cheese. The inexpensive C–IV oral narcotic Talwin can be traded for cigarettes, however, which can in turn be got at the canteen or won at cribbage and dominoes (M.D.C. regs prohibit straight-out cards) or got in mass quantities off smaller inmates in return for protection from the romantic advances of larger inmates. Gately is right-handed and his arms are roughly the size of Tiny EwelPs legs. His wrist’s jailhouse square is canted and has sloppy extra blobs at three of the corners. Your average jailhouse tatt can’t be removed even with laser surgery because it’s incised so deep in. Gately is polite about Tiny Ewell’s inquiries but not expansive, i.e. Tiny has to ask very specific questions about whatever he wishes to know and then gets a short specific answer from Gately to just that question. Then Gately stares at him, a habit Ewell tends to complain about at some length up in the Five-Man Room. His interest in tattoos seems to be regarded by Gately not as invasive but as the temporary obsession of a still-quivering Substanceless psyche that in a couple weeks will have forgot all about tattoos, an attitude Ewell finds condescending in the extremus. Gately’s attitude toward his own primitive tattoos is a second-category attitude, with most of the stoicism and acceptance of his tatt-regret sincere, if only because these irrevocable emblems of jail are minor Rung Bells compared to some of the fucked-up and really irrevocable impulsive mistakes Gately’d made as an active drug addict and burglar, not to mention their consequences, the mistakes’, which Gately’s trying to accept he’ll be paying off for a real long time.

Michael Pemulis has this habit of looking first to one side and then over to the other before he says anything. It’s impossible to tell whether this is unaffected or whether Pemulis is emulating some film-noir-type character. It’s worse when he’s put away a couple ‘drines. He and Trevor Axford and Hal Incandenza are in Pemulis’s room, with Pemulis’s roommates Schacht and Troeltsch down at lunch, so they’re alone, Pemulis and Axford and Hal, stroking their chins, looking down at Michael Pemulis’s yachting cap on his bed. Lying inside the overturned hat are a bunch of fair-sized but bland-looking tablets of the allegedly incredibly potent DMZ.

Pemulis looks all around behind them in the empty room. ‘This, Incster, Axhandle, is the incredibly potent DMZ. The Great White Shark of organo-synthesized hallucinogens. ‘The gargantuan feral infant of—’

Hal says ‘We get the picture.’

‘The Yale U. of the Ivy League of Acid,’ says Axford.

‘Your ultimate psychosensual distorter,’ Pemulis sums up.

‘Think you mean psychosensory, unless I don’t know the whole story here.’

Axford gives Hal a narrow look. Interrupting Pemulis means having to watch him do the head-thing all over again each time.

‘Hard to find, gentlemen. As in very hard to find. Last lots came off the line in the early 70s. These tablets here are artifacts. Certain amount of decay in potency probably inevitable. Used in certain shady CIA-era military experiments.’

Axford nods down at the hat. ‘Mind-control?’

‘More like getting the enemy to think their guns are hydrangea, the enemy’s a blood-relative, that sort of thing. Who knows. The accounts I’ve been reading have been incoherent, gistless. Experiments conducted. Things got out of hand. Let’s just say things got out of control. Potency judged too incredible to proceed. Subjects locked away in institutions and written off as casualties of peace. Formula shredded. Research team scattered, reassigned. Vague but I’ve got to tell you pretty sobering rumors.’

‘These are from the early 70s?’ Axhandle says.

‘See the little trademark on each one, with the guy in bell-bottoms and long sideburns?’

‘Is that what that is?’

‘Unprecedentedly potent, this stuff. The Swiss inventor they say was originally recommending LSD-25 as what to take to come down off the stuff.’ Pemulis takes one of the tablets and puts it in his palm and pokes at it with a callused finger. ‘What we’re looking at. We’re looking here at either a serious sudden injection of cash —’

Axford makes a shocked noise. ‘You’d actually try to peddle the incredibly potent DMZ around this sorry place?’

Pemulis’s snort sounds like the letter K. ‘Get a large economy-size clue, Axhandle. Nobody here’d have any clue what they’d even be dealing with. Not to mention be willing to pay what they’re worth. Why, there are pharmaceutical museums, left-wing think tanks, New York designer-drug consortiums I’m sure’d be dying to dissect these. Decoct like. Toss into the spectrometer and see what’s what.’

‘That we could get bids from, you’re saying,’ Axford says. Hal squeezes a ball, silently looking at the hat.

Pemulis turns the tablet over. ‘Or certain very progressive and hip-type nursing homes I know guys that know of. Or down at Back Bay at that yogurt place with that picture of those historical guys Inc was saying at breakfast was up on the wall.’

‘Ram Das. William Burroughs.’

‘Or just down in Harvard Square at Au Bon Pain where all those 70s-era guys in old wool ponchos play chess against those little clocks they keep hitting.’

Axford’s pretending to punch Hal’s arm in excitement.

Pemulis says ‘Or of course I’m thinking I could just go the sheer-entertainment route and toss them in the Gatorade barrels at the meet with Port Washington Tuesday, or down at the WhataBurger — watch everybody run around clutching their heads or whatever. I’d be way into watching Wayne play with distorted senses.’

Hal puts one foot up on Pemulis’s little frustum-shaped bedside stool and leans farther in. ‘Would it be prying to ask how you finally managed to get hold of these?’

‘It wouldn’t be prying at all,’ Pemulis says, removing from the yachting cap’s lining every piece of contraband he’s got and spreading it out on the bed, sort of the way older people will array all their valuables in quiet moments. He has a small quantity of personal-consumption Lamb’s Breath cannabis (bought back from Hal out of a 20-g. he’d sold Hal) in a dusty baggie, a little Saran-Wrapped cardboard rectangle with four black stars spaced evenly across it, the odd ‘drine, and it looks like a baker’s dozen of the incredibly potent DMZ, Sweet Tart-sized tablets of no particular color with a tiny mod hipster in each center wishing the viewer peace. ‘We don’t even know how many hits this is,’ he muses quietly. There’s sun on the wall with the hanging viewer and poster of the paranoid king and an enormous hand-drawn Sierpinski gasket. In one of the three big mullioned west windows — the Academy is nothing if not well-fenestrated — there’s an oval flaw that’s casting a bubble of ale-colored autumn sunlight from the window’s left side to elongate onto Pemulis’s tightly made bed,[73] and he moves everything his hat’s got into the brighter bubble, going down on one knee to study a tablet between his forceps (Pemulis owns stuff like philatelic forceps, a loupe, a pharmaceutical scale, a postal scale, a personal-size Bun-sen burner) with the calm precision of a jeweler. ‘The literature’s mute on the titration. Do you take one tablet?’ He looks up on one side and then back around on the other at the boys’ faces leaning in above. ‘Is like half a tab a regulation hit?’

‘Two or even three tablets, maybe?’ Hal says, knowing he sounds greedy but unable to help himself.

‘The accessible data’s vague,’ Pemulis says, his profile contorted around the loupe in his socket. ‘The literature on muscimole-lysergic blends is spotty and vague and hard to read except to say how massively powerful the supposed yields are.’

Hal looks at the top of Pemulis’s head. ‘Did you hit a medical library?’

‘I got on MED.COM off Lateral Alice’s WATS line and went back and forth and up and down through MED.COM. Plenty on lysergícs, plenty on methoxy-class hybrids. Vague and almost gossip-columny shit on fitviavi-compounds. To get anything you got to cross-key Ergotics with the phrase muscimole or muscimolated. Only a couple things ring the bell when you key in DMZ. Then they’re all potent this, sinister that. Nothing with any specifics. And jumbly polysyllables out the ass. Whole thing gave me a migraine. ‘

‘Yes but did you actually hop in the truck and actually go to a real med-library?’ Hal’s his mother Avril’s child when it comes to databases, software Spell-Checks, etc. Axford now really does punch him once in the shoulder, albeit the right one. Pemulis is scratching absently at the little hair-hurricane at the center of his hair. It’s close to!43Oh., and the flawed bubble of light on the bed is getting to be the slightly sad color of early winter P.M. There are still no sounds from the West Courts outside, but there’s high song of much volume through the wall’s water-pipes — a lot of the guys who are drilled past caring in the A.M. don’t get it up to shower until after lunch, then sit through P.M. classes with wet hair and different clothes than their A.M. classes.

Pemulis rises to stand between them and looks around the empty three-bedded room again, with neat stacks of three players’ clothes and bright gear on shelves and three wicker laundry hampers bulging slightly. There is the rich scent of athletic laundry, but other than that the room looks almost professionally clean. Pemulis and Schacht’s room makes Hal and Mario’s room look like an insane asylum, Hal thinks. Axford drew one of only two single upperclass rooms in last spring’s lottery, the other having gone to the Vaught twins, who get counted as one entry in Room Draw.

Pemulis still has his cheek screwed up to keep the loupe in as he looks around. ‘One monograph had this toss-off about DMZ where the guy invites you to envision acid that has itself dropped acid.’ ‘Holy crow.’

‘One article out of fucking Moment of all sources talks about how this one Army convict at Leavenworth got allegedly injected with some massive unspecified dose of early DMZ as part of some Army experiment in Christ only knows what and about how this convict’s family sued over how the guy reportedly lost his mind.’ He directs the loupe dramatically at first Hal and then Axford. ‘I mean literally lost his mind, like the massive dose picked his mind up and carried it off somewhere and put it down someplace and forgot where.’