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Kellerman, Jonathan - The Theatre

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No problem there. He'd be pleased when he found out how well things had gone. All the paperwork wrapped up.

He heard a whistle, looked up, and saw the mounted policeman shouting at him and waving him back inside. He pulled out his police ID but the uniform had already turned his back and didn't see it.

'Showpiece," said Avi, and got back in the car. Rolling up the windows and turning on the air conditioner, he lit up a cigarette, turned off the engine, put the key in and slipped a Culture Club cassette into the tape "Karma Chameleon" came on. That crazy George Guy was as queer as a five-legged sheep but he could really sing.

Avi turned up the volume, hummed along to lyrics he didn't fully understand, and blessed his good fortune.

To hell with horses and meetings and superior officers. Nothing was going to spoil his good mood.

He reclined the seat, sat low, and reminisced about last night.

Ironic, really funny, how he'd almost missed it. Because the balcony had become almost a hobby, he'd been spending so much time out there the South African girl was starting to nag. ("Are you some kind of voyeur, Avraham? Shall I buy you a telescope?")

Generally he could keep her annoyance at bay with affection and time-outs for first-rate sex-the little extra moves that let a girl know you had her pleasure in mind. He made sure always to give her a good workout, varying the positions, stretching it out until she was right on the brink, then backing off, then moving in again, so when she came she was really tired and fell right asleep. Unaware, moments later, when he left the bed.

Then back to the balcony.

Last night, though, he'd been exhausted himself. The girl had prepared two giant steaks for dinner-her monthly allowance was unbelievable; the only time he'd seen file mignon like that was when his family traveled to Europe.

Steak and fried potatoes and chopped salad. Along with a bottle of Bordeaux and half a chocolate cake. After all that. Avi had felt fuzzy around the edges but still able to oblige. thank you, madame.

She'd taken hold of him, pulled him to the bed, giggling. Then forty-four minutes (he'd timed it) of straightaway pump-ing with the girl holding on to him as if he were a preserver, Avi feeling himself sweat, the wine popping out of him in fermented droplets.

After that one, he'd been tired too. Listening to the rhythm of the girl's breathing, then sinking into deep, dreamless sleep.

No balcony, for the first time since he'd been on the Wolfson surveillance.

Then screams-he didn't know how many of them he'd missed. But loud enough to yank him awake, shuddering. The girl awoke, too, sat up holding the sheet to her body, just like in the movies-what the hell was she hiding?

Another scream. Avi swung his legs out of bed, shook his head to make sure it was really happening.

"Avraham," the girl croaked. "What's going on?" Avi was up now. The girl reached out for him.

'Avraham!"

The grogginess had made her look ugly, thought Avi. Damaged. And he knew that it was the way she'd look in five years. All the time. While running to the balcony he decided he'd break it off with her, soon. 'What is it, Avraham?" 'Shh."

Malkovsky was in the courtyard, barefoot and wearing a white robe that made him look like a polar bear. Lumbering in circles, chasing a child-a girl of about twelve.

One of the daughters, second to the oldest. Avi remem-bered her because she always looked so serious, walked separately from the others. Sheindel-that was her name.

Sheindel was in pajamas. Her blond hair, usually braided, fanned around her shoulders as she ran from the polar bear. Screaming: "No, no, no! No more!"

"Come here, Sheindeleh! Come here. I'm sorry!"

'No! Get away! I hate you!"

"Shah shtill! Quiet!" Malkovsky reached out to grab her, moving sluggishly because of his weight. Avi ran back into the bedroom. Throwing on trousers and a shirt that he didn't bother to button, he kept his ears attuned to the cries from below.

'No! Get away from me! I hate you! Aahh!"

"Stop running, I order you!"

"I hate you! I hate you! Aaahhh!"

Avi put the light on. The South African honey yelped and threw herself under the covers. He fumbled as his eyes adjusted to the sudden brightness. Where were his handcuffs, dammit! Always prepared and now look at him… the wine

. Ah, there on the nightstand. He pocketed them. Now the gun.

"Help!" Sheindel was screaming. "Shut your mouth, stupid girl!' 'No. no, get away! Help!"

Avi's eyes were clear now. He found the 9 mm hanging in its holster over the chair, pulled the gun out, stuck it under his waistband, and ran for the door.

"Is it terrorists?" asked the girl, still under the covers.

"No. Back to sleep." Avi flung open the door, thinking: There are different types of terrorism.

He sprinted for the stairwell, leaped down the stairs four at a time, pumped up and strangely elated. When he got to the courtyard, lights were switching on throughout the nearby apartments, checkering the complex.

Malkovsky's back was to him. Sheindel was nowhere in sight. Then Avi heard sucking sobs and hyperventilation and realized that she was hidden behind her father, concealed by his mass. She'd backed herself into a corner. Malkovsky was advancing toward her, huffing, arms spread wide.

"Sheindel," he cajoled. "I'm your tateh."

"No!" Sob, breath. "You'rea"-sob, breath-" rashaf" Evil man.

"Don't touch her," said Avi.

Malkovsky jerked around, saw the Beretta pointed at him. His eyes were agitated, his face moonlight-pale and greasy with perspiration.

"What?" he said.

"I'm a police detective. Get away from her, Malkovsky. Lie on the ground."

Malkovsky hesitated. Avi walked up to him, keeping the gun aimed. Malkovsky stepped backward. Avi grabbed the lapel of the white robe with one hand, put one foot around Malkovsky's ankle, and tripped him with a judo move he'd learned in basic training.

The bigger they were, the easier they fell, he thought, watching Malkovsky collapse facedown. Something to do with leverage, according to the self-defence instructor, but until now Avi had never really believed it.

Working swiftly, enjoying his competence, he yanked Malkovsky's arms behind his back. The man's corpulence made it hard to stretch the limbs far enough to cuff them, but he tugged hard and finally clamped the cuffs over soft. hairy wrists.

"Oy, you're hurting me," said Malkovsky. His breathing was labored and rapid. He turned his head to the side and Avi saw blood seeping into his mustache and beard; the fall had bruised him.

"Tsk, tsk," said Avi, making sure the cuffs were secure. Malkovsky moaned.

Wouldn't it be funny if the fat bastard gave out right here-heart attack or something? True justice, but the paper-work would be a nightmare.

'Oy."

"Shut up."

Malkovsky safely trussed, Avi turned to the child. She was sitting on the ground, knees drawn up, head buried in her arms.

"It's okay," he said. "You're all right." Her small body convulsed. Avi wanted to comfort her, didn't know if touching her was the right thing to do. Footsteps sounded in the courtyard. An older couple:- neighbors coming to gawk. Avi showed them his police identification and told them to go back inside. They stared at Malkovsky's prostrate bulk. Avi repeated his order and they complied. More tenants came filing into the courtyard, Avi shooed them away, forcefully, until finally he was alone again with Malkovsky and the girl. But the others were still there, watching. He could hear windows sliding open, whis-pers and mutters. Saw their silhouettes, outlined muddily in the half-light.

Real voyeurs. A damned exhibition. Wbere the hell was the mother?

Malkovsky started praying, something familiar-Avi had heard it before but couldn't place it.

The girl sobbed. He put his hand on her shoulder and she jerked away.

He told Malkovsky to stay put, kept his eye on Sheindel, and went to the door of the Malkovsky apartment. The wife opened the door before he'd finished the first knock; she'd been waiting behind it all the time.

She just stood there, staring at him. Her hair was long and blond-first time he'd ever seen it uncovered. 'Come outside," Avi told her.

She walked out slowly, as if sleepwalking. Looked at her husband and began cursing him in Yiddish.

Well, listen to that, thought Avi-piece of shit, whore-master-he wouldn't have thought a religious one knew words like that.

"Bayla, please," said Malkovsky. "Help me."

His wife walked over to him, smiled at Avi, then began kicking the fat man violently in the ribs.

Malkovsky bellowed with pain, squirmed helplessly, like a steer trussed for slaughter.

Sheindel was biting her knuckles to keep from hyperventilating.

Avi pulled the wife away, told her: "Cut it out, take care of your daughter."

Mrs. Malkovsky curled her hands into claws, looked down at her husband, and spat on him.

"Momzer! Meeskeit! Shoyn opgetrent?"

Sheindel let go of her knuckles and started to wail.

"Oy," moaned Malkovsky, praying as his wife cursed him. Avi recognized the prayer, now. The El Molei Rakhamim, the prayer for the dead.

"Shtikdreck! Yentzer!" screamed Batla Malkovsky. "Shoyn opgetrent? Shoyn opgetrent-gai in drerd arein.r She lunged at Malkovsky. Avi restrained her and she twisted in his grasp, spitting and cursing, then began clawing at him, going for his eyes.

Avi slapped her across the face. She stared at him, stupidly. A pretty woman, actually, when you looked past the grimness and the hysteria and the baggy dress. She started crying, clenched her jaws shut to stem the tears. Meanwhile the kid was sobbing her heart out.

"Cut it out," he told the mother. "Do your job, for God's sake."

Mrs.Malkovsky went limp and started to weep, joining her daughter in a sobbing duet.

Great. Yom Kippur.

"Oy," she said, tearing at her hair. "Riboynoy sheloylam!"

"Oy, nothing," said Avi. "God helps those who help themselves. If you'd done your job in the first place, this wouldn't have happened."

The woman stopped mid-sob, frozen with shame. She yanked out a healthy clump of hair and nodded her head violently. Up and down, up and down, bobbing like some kind of robot whose controls had short-circuited.

"Take care of your daughter," said Avi, losing patience. 'Go inside."

Still bobbing, the woman capitulated, walking over to Sheindel and touching her lightly on the shoulder. The girl looked up, wet-faced. Her mother stretched out arms that had been forced into steadiness, uttered vague maternal comfort.

Avi watched the kid's reaction, the gun still trained on Malkovsky's broad back.

"Sheindeleh," said Mrs. Malkovsky. "Bubbeleh." She knelt. put her arm around the girl. Sheindel allowed herself to be embraced but made no move to reciprocate.

Well, thought Avi, at least she hadn't pushed her away, so maybe there was something still there. Still, to let it go this far

Mrs. Malkovsky stood and raised Sheindel to her feet.

"Get inside," said Avi, surprised by how gruff he sounded.

The two of them walked into the apartment.

"Now, as for you," Avi told Malkovsky. The fat man groaned.

"What's the matter?" said a new voice. "What's going on?'

A little bald man with a gray bandage of a mustache had come out into the courtyard. He was wearing a sport coat over pajamas, looked ridiculous. Greenberg, the building manager. Avi had seen him nosing around. "You," said Greenberg, staring at the Beretta. "The one who uses the tennis court and swimming pool all the time."

"I'm Detective Cohen, on special assignment from police headquarters and I need you to make a call for me."

"What has he done?"

"Broken the laws of God and man. Go back to your flat, phone 100, and tell the operator that Detective Avraham

Cohen needs a police wagon dispatched to this address." Malkovsky started praying again. A symphony of window-squeaks and whispers played in counterpoint to his entreaties. "This is a nice place, very tidy," said Greenberg, still trying to absorb the reality of the moment.

"Then let's keep it that way. Make that call before everyone finds out you rent to dangerous criminals."

"Criminals? Never-"

"Call 100," said Avi. "Run. Or I'll shoot him right here, leave the mess for you to clean up."

Malkovsky moaned.

Greenberg ran.

Laufer's secretary liked Pakad Sharavi, had always thought of him as kind of cute, one of the nicer ones. So when he entered the waiting room she smiled at him, ready for small talk. But the smile he offered in return was brittle, a poor excuse for cordiality, and when he brushed past her instead of sitting down, she was caught off guard.

"Pakad-you can't do that! He's in a conference!"

He ignored her, opened the door.

The deputy commander was conferring with his soda water bottle, polishing the metal, peering up the spout. When he saw Daniel he put it down quickly and said, "What is this, Sharavi!"

"I need to know where he is."

"I have no time for your nonsense, Sharavi. Leave at once."

"Not until you tell me where he is, Tat Nitzav."

The deputy commander bounded out of his chair, came speeding around the desk, and marched up to Daniel, stopping just short of collision.

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"Убийство миссис Спэнлоу" от Агаты Кристи – это великолепный детектив, который завораживает с первой страницы и держит в напряжении до последнего момента. Кристи, как всегда, мастерски строит